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What Will I Be?: American Music and Cold War Identity, by Philip M. Gentry.

  • Source: Journal of Musicological Research; Apr-Jun2019, Vol. 38 Issue 2, p180-182, 3p

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Making Music American: 1917 and the Transformation of Culture, by E. Douglas Bomberger.

  • Source: Journal of Musicological Research; Apr-Jun2019, Vol. 38 Issue 2, p183-185, 3p

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Karol Berger, Beyond Reason: Wagner contra Nietzsche.

  • Source: Journal of Musicological Research; Apr-Jun2018, Vol. 37 Issue 2, p181-184, 4p

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English Pastoral Music: From Arcadia to Utopia, 1900-1955, by Eric Saylor.

  • Source: Journal of Musicological Research; Jan-Mar2019, Vol. 38 Issue 1, p111-113, 3p

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Making Radio: Early Radio Production and the Rise of Modern Sound Culture, by Shawn VanCour.

  • Source: Journal of Musicological Research; Jan-Mar2019, Vol. 38 Issue 1, p108-110, 3p

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William Cheng, Just Vibrations: The Purpose of Sounding Good.

  • Source: Journal of Musicological Research; Jul-Sep2017, Vol. 36 Issue 3, p252-255, 4p

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Echoing Helicon: Music, Art and Identity in the Este Studioli, 1440-1530, by Tim Shephard.

  • Source: Journal of Musicological Research; Jul-Sep2018, Vol. 37 Issue 3, p277-279, 3p

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The Elocutionists: Women, Music, and the Spoken Word, by Marian Wilson Kimber.

  • Source: Journal of Musicological Research; Jul-Sep2018, Vol. 37 Issue 3, p274-276, 3p

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Hugh Macdonald, The Bizet Catalogue and Bizet.

  • Source: Journal of Musicological Research; Oct-Dec2016, Vol. 35 Issue 4, p360-363, 4p

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Laurenz Lütteken and Elmar Weingarten, Der entfesselte Prometheus: Der antike Mythos in der Musik um 1900.

  • Source: Journal of Musicological Research; Oct-Dec2016, Vol. 35 Issue 4, p356-359, 4p

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  • 1-10 of  320 results for ""NONFICTION""