To kiss and tell: lust, consumption, and place in Morena's Don Juan: el lugar del beso

• Authors : Misemer, Sarah M.

• Source: Letras Femeninas. Wntr, 2011, Vol. 37 Issue 1, p139, 15 p.

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Vamping the argentine family: sex and intertexts in Gambaro's Nosferatu

• Authors : Misemer, Sarah M.

• Source: Chasqui. Nov, 2010, Vol. 39 Issue 2, p154, 17 p.

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Memorias para la sección conmemorativa de "Letras femeninas"

• Authors : Misemer, Sarah M.

• Source: Letras Femeninas. 41(1):61-62

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Tracks to Modernity: Reconstructing the Present in Roberto Cossa's “El Sur y después”.

• Authors : Misemer, Sarah M.

• Source: Revista Hispánica Moderna; December 2008, Vol. 61 Issue 2, p167-182, 16p

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Corpa Vargas, Mirta. Eva Peron el cristal de la escritura: Mabel Pagano, personaje literario y postrauma

• Authors : Misemer, Sarah M.

• Source: Chasqui. Nov, 2002, Vol. 31 Issue 2, p124, 3 p.

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Tragedias tradicionales e historias de un nuevo orden global: Groenlandia de Gabriel Peveroni.

• Authors : Misemer, Sarah M.¹

• Source: Gestos: Revista de Teoría y Práctica del Teatro Hispánico. 2008, Vol. 23 Issue 46, p65-84. 20p.

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Service Learning: Staging Hispanic Theatre for Bilingual Elementary Students

• Authors : Misemer, Sarah M.

• Source: Latin American Theatre Review (Project Muse); February 2016, Vol. 50 Issue: 1 p147-159, 13p

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Eva Perón en el cristal de la escritura: Mabel Pagano, personaje literario y postrauma Mirta Corpa Vargas

• Authors : Misemer, Sarah M.

• Source: Chasqui. 31(2):124-126

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Gabriel Peveroni's Luna Roja: Eclipsing and Recycling Information and Meaning on the Stage.

• Authors : Misemer, Sarah M.

Subjects: LITERARY characters; ARTISTIC creation; VIOLENT deathsURUGUAY

• Source: Symposium; Winter2008, Vol. 61 Issue 4, p278-290, 13p

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Bridging the Gaps in Cultural Memory: Carlos Gorostiza's El puente, and Gabriel Peveroni's Sarajevo esquina Montevideo (El puente)

• Authors : Misemer, Sarah M.

• Source: Latin American Theatre Review (Project Muse); January 2005, Vol. 39 Issue: 1 p29-48, 20p

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