The End of the Point.

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  • Additional Information
    • Publication Date:
      Essay last updated: 20120930
    • Full Text Word Count:
      103
    • ISSN:
      03630277
    • Accession Number:
      82026120
  • Citations
    • ABNT:
      HOFFERT, B. The End of the Point. Library Journal, [s. l.], v. 137, n. 16, p. 54–55, 2012. Disponível em: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=82026120&custid=s6224580. Acesso em: 31 mar. 2020.
    • AMA:
      Hoffert B. The End of the Point. Library Journal. 2012;137(16):54-55. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=82026120&custid=s6224580. Accessed March 31, 2020.
    • APA:
      Hoffert, B. (2012). The End of the Point. Library Journal, 137(16), 54–55.
    • Chicago/Turabian: Author-Date:
      Hoffert, Barbara. 2012. “The End of the Point.” Library Journal 137 (16): 54–55. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=82026120&custid=s6224580.
    • Harvard:
      Hoffert, B. (2012) ‘The End of the Point’, Library Journal, 137(16), pp. 54–55. Available at: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=82026120&custid=s6224580 (Accessed: 31 March 2020).
    • Harvard: Australian:
      Hoffert, B 2012, ‘The End of the Point’, Library Journal, vol. 137, no. 16, pp. 54–55, viewed 31 March 2020, .
    • MLA:
      Hoffert, Barbara. “The End of the Point.” Library Journal, vol. 137, no. 16, Oct. 2012, pp. 54–55. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=82026120&custid=s6224580.
    • Chicago/Turabian: Humanities:
      Hoffert, Barbara. “The End of the Point.” Library Journal 137, no. 16 (October 2012): 54–55. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=82026120&custid=s6224580.
    • Vancouver/ICMJE:
      Hoffert B. The End of the Point. Library Journal [Internet]. 2012 Oct [cited 2020 Mar 31];137(16):54–5. Available from: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=82026120&custid=s6224580

Reviews

Booklist Reviews 2013 February #1

*Starred Review* For generations, the wealthy Porter family has sought refuge in its vacation home at Ashaunt Point along Massachusetts' rocky coastline. It's a place where Helen and her siblings can run wild and free under the watchful eye of Bea and her fellow coterie of Scottish caregivers. All is well until WWII erupts and an army outpost is installed nearby. Soldiers lure Helen to dances, seduce Bea into a hasty romance, and rob Helen's sister Jane of her innocence. Then word comes that her brother has been killed in action, and the world can no longer be held at bay. When Helen returns decades later as a young wife and mother, she tries to re-create Ashaunt's former simplicity for her emotionally fragile son, but the Vietnam war and the counterculture take their toll. At the end of her life, as cancer ravages her body, Helen finds Ashaunt equally threatened by environmental disasters and encroaching development, and the outrage becomes too much to bear. With a style and voice reminiscent of William Trevor and Graham Swift, Graver's powerfully evocative portrait of a family strained by events both large and small celebrates the indelible influence certain places can exert over the people who love them. Copyright 2012 Booklist Reviews.

LJ Reviews 2012 October #1

The Porter family, which has summered for generations at Ashaunt Point, a spit of land pushing into Buzzards Bay, MA, is entirely unsettled when the U.S. Army arrives there in 1942. The next generation tries and fails to find escape at Ashaunt Point as Vietnam looms. From Drue Henz Literature Prize winner Graver; perhaps not the biggest title here, but it's loved in house.

[Page 54]. (c) Copyright 2012. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

LJ Reviews 2013 March #1

Graver's (Awake) family saga spans the latter half of the 20th century. The wealthy Porters have a summer home in Ashaunt Point, MA, which plays a significant role in the lives of the family. The novel's point of view varies among Bea, the Scottish nanny for the Porter's youngest daughter; Helen, the oldest and wildest of the Porter girls; and Charlie, Helen's oldest child. Bea narrates one summer on the island in 1942—but is it about her or the children? Helen's letters and diary entries dominate the middle section, which is followed by her son Charlie's struggles to find himself on the Point in the 1970s. VERDICT The last section brings us to the near present and ties up the loose ends, but doesn't really answer the question, Who is the subject of the novel? The way in which the narrative perspective switches between characters may not be for everyone but makes this an excellent choice for book clubs. [See Prepub Alert, 9/10/12.]—Pamela Mann, St. Mary's Coll. Lib., MD

[Page 70]. (c) Copyright 2013. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted.

PW Reviews 2013 January #2

It's 1942, and the Porters are coming back to Ashaunt, Mass., the piece of the New England coast they've always come back to, no matter that the Army is building barracks and viewing platforms there. Graver (Awake) opens her fourth novel with a beautifully evoked glimpse of the very first arrival at Ashaunt—that of the Europeans—and the native people's eventual sale (or, alternately, "bargain, theft, or gift") of the land. She then moves omnisciently and believably through the minds of Bea, the Porters' Scottish nanny, and the wild Helen, the oldest daughter. As 1942 gives way to 1947, 1961, then 1970, and finally 1999, Graver also moves fluidly across time, all on this same beloved piece of land. Bea is a wonderful character, and Graver is incredibly good at evoking past, present, and future, and the ways in which they intersect. Unfortunately, the latter sections of the book, which focus mostly on Helen, no longer a wild girl, and her adult son Charlie, aren't quite as strong, perhaps because the issues of generational strife, blowback from drug use, and land development are more familiar. That said, Graver's gifts—her control of time, her ability to evoke place and define character—are immense. Agent: Richard Parks, the Richard Parks Agency. (Mar.)

[Page ]. Copyright 2012 PWxyz LLC