2010 Editors' Choice.

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  • Language:
  • Source:
    Booklist; 1/1/2011 - 1/15/2011, Vol. 107 Issue 9/10, p6-17, 12p, 23 Color Photographs
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  • Publication Information:
    American Library Association / Booklist Publications
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  • Citations
    • ABNT:
      2010 Editors’ Choice. Booklist, [s. l.], v. 107, n. 9/10, p. 6–17, 2011. Disponível em: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=57425430&custid=s6224580. Acesso em: 23 fev. 2020.
    • AMA:
      2010 Editors’ Choice. Booklist. 2011;107(9/10):6-17. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=57425430&custid=s6224580. Accessed February 23, 2020.
    • APA:
      2010 Editors’ Choice. (2011). Booklist, 107(9/10), 6–17.
    • Chicago/Turabian: Author-Date:
      “2010 Editors’ Choice.” 2011. Booklist 107 (9/10): 6–17. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=57425430&custid=s6224580.
    • Harvard:
      ‘2010 Editors’ Choice’ (2011) Booklist, 107(9/10), pp. 6–17. Available at: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=57425430&custid=s6224580 (Accessed: 23 February 2020).
    • Harvard: Australian:
      ‘2010 Editors’ Choice’ 2011, Booklist, vol. 107, no. 9/10, pp. 6–17, viewed 23 February 2020, .
    • MLA:
      “2010 Editors’ Choice.” Booklist, vol. 107, no. 9/10, Jan. 2011, pp. 6–17. EBSCOhost, search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=57425430&custid=s6224580.
    • Chicago/Turabian: Humanities:
      “2010 Editors’ Choice.” Booklist 107, no. 9/10 (January 2011): 6–17. http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=57425430&custid=s6224580.
    • Vancouver/ICMJE:
      2010 Editors’ Choice. Booklist [Internet]. 2011 Jan [cited 2020 Feb 23];107(9/10):6–17. Available from: http://search.ebscohost.com/login.aspx?direct=true&site=eds-live&db=lfh&AN=57425430&custid=s6224580


Booklist Reviews 2010 July #1

*Starred Review* Patty, a Westchester County high-school basketball star, should have been a golden girl. Instead, her ambitious parents betray her, doing her grievous psychic harm. Hardworking Minnesotan Walter wants to be Patty's hero, and she tries to be a stellar wife and a supermom to Joey and Jessica, their alarmingly self-possessed children, but all goes poisonously wrong. Patty longs for Richard, Walter's savagely sexy musician friend. Walter's environmental convictions turn perverse once he gets involved in a diabolical scheme that ties protection of the imperiled cerulean warbler to mountaintop-removal coal mining in West Virginia. Richard is traumatized by both obscurity and fame. Joey runs amok in his erotic attachment to the intense girl-next-door and in a corrupt entrepreneurial venture connected to the U.S. invasion of Iraq. The intricacies of sexual desire, marriage, and ethnic and family inheritance as well as competition and envy, beauty and greed, nature and art versus profit and status, truth and lies—all are perceptively, generously, and boldly dramatized in Franzen's first novel since the National Book Award–winning The Corrections (2001). Passionately imagined, psychologically exacting, and shrewdly satirical, Franzen's spiraling epic exposes the toxic ironies embedded in American middle-class life and reveals just how destructive our muddled notions of entitlement and freedom are and how obliviously we squander life and love. Copyright 2010 Booklist Reviews.

LJ Reviews 2010 April #2

What's happened to environmental lawyer and dedicated family man Walter Berglund and his wife, Patty-the perfect wife and mother and social conscience of their reclaimed neighborhood? Now he's working for a powerful coal company, she's become a shrew, and their son has moved in with the prim Republican family next door. Just think what the author of the National Book Award-winning The Corrections will do with this family. Consider multiples wherever high-end fiction circulates; I can't wait to get my hands on this one. With a one-day laydown and national tour. Copyright 2010 Reed Business Information.

LJ Reviews 2010 August #1

"Use Well Thy Freedom": this motto, etched in stone on a college campus, hints at the moral of Franzen's sprawling, darkly comic new novel. The nature of personal freedom, the fluidity of good and evil, the moral relativism of nearly everything—Franzen takes on these thorny issues via the lives of Walter and Patty Berglund of St. Paul. With two kids, a Volvo in the garage, and a strong social conscience, the Berglunds allow their good deeds to be tinged with just a hint of smugness (which eventually comes back to haunt them). Weaving in and out of their lives is old college friend Richard Katz, low-level rock star and ultra-hip antihero. Time goes by, the kids grow up, betrayals occur, and the thin line between right and wrong blurs. Fully utilizing their freedom—to make mistakes, confuse love with lust, and mix up goodness and greed—the Berglunds give Franzen the opportunity to limn the absurdities of our modern culture. Granola moms, raging Republicans, war profiteers, crooked environmentalists, privileged offspring, and poverty-bred rednecks each enjoy the uniquely American freedom to make disastrous choices and continually reinvent themselves. VERDICT As in his National Book Award winner, The Corrections, Franzen reveals a penchant for smart, deceptively simple, and culturally astute writing. Highly recommended. [See Prepub Alert, LJ 4/15/10.]—Susanne Wells, P.L. of Cincinnati & Hamilton Cty.

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PW Reviews 2010 July #1

Nine years after winning the National Book Award, Franzen's The Corrections consistently appears on "Best of the Decade" lists and continues to enjoy a popularity that borders on the epochal, so much so that the first question facing Franzen's feverishly awaited follow-up is whether it can find its own voice in its predecessor's shadow. In short: yes, it does, and in a big way. Readers will recognize the strains of suburban tragedy afflicting St. Paul, Minn.'s Walter and Patty Berglund, once-gleaming gentrifiers now marred in the eyes of the community by Patty's increasingly erratic war on the right-wing neighbors with whom her eerily independent and sexually precocious teenage son, Joey, is besot, and, later, "greener than Greenpeace" Walter's well-publicized dealings with the coal industry's efforts to demolish a West Virginia mountaintop. The surprise is that the Berglunds' fall is outlined almost entirely in the novel's first 30 pages, freeing Franzen to delve into Patty's affluent East Coast girlhood, her sexual assault at the hands of a well-connected senior, doomed career as a college basketball star, and the long-running love triangle between Patty, Walter, and Walter's best friend, the budding rock star Richard Katz. By 2004, these combustible elements give rise to a host of modern predicaments: Richard, after a brief peak, is now washed up, living in Jersey City, laboring as a deck builder for Tribeca yuppies, and still eyeing Patty. The ever-scheming Joey gets in over his head with psychotically dedicated high school sweetheart and as a sub-subcontractor in the re-building of postinvasion Iraq. Walter's many moral compromises, which have grown to include shady dealings with Bush-Cheney cronies (not to mention the carnal intentions of his assistant, Lalitha), are taxing him to the breaking point. Patty, meanwhile, has descended into a morass of depression and self-loathing, and is considering breast augmentation when not working on her therapist-recommended autobiography. Franzen pits his excavation of the cracks in the nuclear family's facade against a backdrop of all-American faults and fissures, but where the book stands apart is that, no longer content merely to record the breakdown, Franzen tries to account for his often stridently unlikable characters and find where they (and we) went wrong, arriving at--incredibly--genuine hope. (Sept.)

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