Santos de palo: La máquina real y el poder de lo inanimado. (Spanish)

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    • Abstract:
      This article provides criticism for the 17th century Spanish comedy dramas. The author considers the role of the Counter-Reformation in the rise in popularity of these comedies and comments on the reaction of the Catholic Church. She also analyzes the use of marionettes and puppets, with a particular focus on the play "Esclavo del demonio," by Spanish dramatist Antonio Mira de Amescua.