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Santos de palo: La máquina real y el poder de lo inanimado.
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- Author(s): Fernández, Esther1
- Source:
MLN. Mar2013, Vol. 128 Issue 2, p420-432. 13p.
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- Additional Information
- Subject Terms:
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- Abstract:
This article provides criticism for the 17th century Spanish comedy dramas. The author considers the role of the Counter-Reformation in the rise in popularity of these comedies and comments on the reaction of the Catholic Church. She also analyzes the use of marionettes and puppets, with a particular focus on the play "Esclavo del demonio," by Spanish dramatist Antonio Mira de Amescua.
